Hello, I just joined, primarily for the audiophile products. Looking at purchasing the NHT C3 speakers for our new living room. Space is about 15 feet wide by 33 long and they will fire long ways. Space is just for general listening, music room with all equipment is downstairs, so hoping they will fill it with sound nicely. Cheers.
Mar 18, 2024
I have seen people talking here about if m9xx can drive higher impedance headphoens such as HD800 or beyerdynamic T1(600ohms). My only comment regarding this is that Mojo drives both HD800 and T1 flawlessly and effortlessly(I don't own any of tehse 2 headphones but have tried them with mojo in an audio store) and as I have understood that m9xx outputs more at 600ohms, so why m9xx would have any trouble driving HD800 or T1 ? Am I missing something here or did I not understand these outputs correctly(as I am no expert in these)?
Mojo's specs from its manual shows (http://www.chordelectronics.co.uk/mojo/manual/Mojo-User-Manual.pdf)
MOJO: Output Power @ 1KHz 600 OHMS 35mW 8 OHMS 720mW Output Impedance: 0.075
m9XX specs as posted in thsi drop:
m9XX Headphone Output Power - High Power Mode (2 channels driven)
240 mW @ 4 Ω 490 mW @ 8 Ω 940 mW @ 16 Ω 1030 mW @ 20 Ω 950 mW @ 32 Ω 650 mW @ 50 Ω 115 mW @ 300 Ω 57 mW @ 600 Ω Impedances
Headphone Output: 0.08 Ω Line Output: 47.5 Ω
When I'm not EQing I am usually on 65-75 on the m9XX. When I have EQ engaged I usually need 10dB more amp headroom to avoid clipping, so I have the m9XX on 75-85 most of the time. I basically never go over 90, even when EQing. While I prefer high power mode because I think it makes the power supply and data streams a bit cleaner, the m9XX can actually power the HD800 just fine in terms of pure power needed in low power mode.
Honestly there are next to no easily discernible differences between the m9XX and Mojo sound wise. The filters don't really change the sound much, if at all, and are more to solve various issues you may have with certain music and in certain usage scenarios (intermodulation distortion and aliasing distortion) than to change the flavor of the m9XX's sound.
The crossfeed on the m9XX is to me, a big advantage. I don't use it very much because I tend to use the Goodhertz plug in, canopener, because it has greater flexibility: I can change the amount of crossfeed, the perceived angle of crossfeed and the type of crossfeed. And then I can use mid-side matrix to widen (or theoretically tighten) the soundstage width. However, the Grace's crossfeed is nice when I'm in a scenario where I am using my iPhone as the player source. Since I've yet to find a player that I am happy with streaming that also has crossfeed, I can use the m9XX's crossfeed in those scenarios, and while I prefer Goodhertz, I think the m9XX's crossfeed is very well done, and I much prefer it to not having crossfeed (the disconnected soundstage headphones have without crossfeed drives me crazy).
My headphones are SONY MDR-Z7 (70 ohms) which have excellent bass, and I pair them with mojo with iphone6 as the player. I don't think I would have any trouble pairing it with m9XX however do you think there would be a significant advantage getting m9XX when I would not be doing any additional EQing or using Goodhertz plug in for crossfeed ?
I owned the Mojo and m9XX at the same time and the deciding factor for me was feature set and design, rather than sound quality. The sound quality was a dead heat. And the m9XX's increased power wasn't a big deal.
With mojo I have noticed that sound does get distorted (mid-range especially) at very high volume levels, with Z7 and even with T1 and Fostex Th900 when I tried mojo with those, what does it really mean, too much power, or lack of it? or something else? ideally I would expect the sound to stay solid and tight for all frequencies even at a very high volume .. would a better amplifier or better pairing help in that?
I can say that I have never pushed my m9XX hard enough to hear amp based distortion. All the way up to 95 it remained clean. I have never been able to listen to it over 95 with any headphone and any recording and/or EQ setting.
In another reply you mentioned "An amp either has enough power to run without distortion or it doesn't" , what do you really mean by that?
Buy a good amp that meets the needs of your headphones, don't just blindly buy a powerful amp. Total power ratings are usually the least important spec you could find for an amp (which of course means they're the most commonly published specs, since they're the least useful).
Generally I think the TH900 works better on a solid state zero impedance design amp, but it really comes down more to the specific amp than tube vs solid state. The TH900 sounds pretty harsh to me out of a Magni, for example.
to get "punch tight bass that doesn't distort at higher volumes" you want:
1) a headphone with very low distortion numbers in the bass range. The TH900 certainly qualifies there 2) an amp that imparts more 2nd harmonic distortion than higher order distortion. A really good tube amp does this. But also some solid state amps do it as well (m9XX and Mojo both do). 3) a good power supply 4) a quality 64 bit EQ program. (optional if the headphones doesnt naturally have the bass you're after).
Sadly, too many people are still cranking the hell out of their headphones and amps on a regular basis. TURN IT DOWN, FOLKS!!! Single-song rock out sessions are fine...2-hour marathons are not.
You WILL damage your hearing in the long run listening at excessive volumes. You can still have a satisfying listening experience at relatively modest levels. Keep it turned down, and you will thank yourself in your later years :)
I really like the mojo and there is probably not a better portable amp than mojo. The only thing I felt is that with some recordings , the mids and highs got a bit two sharp and was harsh on ears, at mid to high volumes. Bass got distorted probably because i just turned the volume too high.
Yesterday I had a chance to try out WA6 with mojo as a dac with iphone and it did exactly what I was hoping for, took off the sharp edges, made the sound a bit warmer and vocals sounded a bit more real.. I liked the WA6 pairing with mojo(as dac) .. How do you compare WA6 to the tube amps you mentioned about (Torpedo III and Lyr 2) ? Also how would you compare WA6 to other Woo Audio tube amps like WA7 WA3 and WA2?
Has you ever had a chance to try Marantz HD - DAC1 Headphone amp? It sure looks nice and very well built, and I have read good things about it. Any idea how does it compare to m9XX?