There Are Pandas, and Then There Are Pandas.
And this isn't either of them! The Pandas we're talking about here, are watches, not bears. And what got me thinking about them (again) was a link posted this morning by @cm.rook who pointed a few of us to the very attractive (and not terribly priced) Yema "Rallygraph" Panda which, in it's most traditional arrangement, looks like the one on the left, but can also be had in the version on the right: The model on the left is a true Panda, while the model on the right is called a reverse Panda. The reason for that distinction is clear--Panda bears, only come in the first arrangement. Now at this point, everyone should be thinking about the most well-know Panda, The Rolex Panda, which is actually a Daytona, and among Rolex Daytonas, the most famous of which is the Paul Newman Daytona, which was famous first, because it was Paul's, and second because it sold at auction for $17.8 million (US Dollars). The story of that auction is well-known so I'll only...
Nov 8, 2019
What I notice looking at your photos shared is you would benefit by paying some more attention to what is behind your main subject. I would call the background "busy" in most of the shots. The 2nd shot has a beautiful view of the macaw, but then my eyes get drawn to the photographer behind it. The lines of the truck get lost in the nearly identical-color parking ramp behind it. The buildings peeking in through the gap in the trees compete for your eyeballs with the filtered sunlight.
Fixing the macaw background I realize is difficult. It can be done at the time the shot is being taken by the right lens selection, and using aperture-priority mode to use a lower f-stop. The goal being to make your depth of field shallow and put the people in the background even further out of focus, which isolates your main subject better. That same technique is possible for the sun filtering through the trees, or simply repositioning yourself to have more sky visible in the gap, less building if possible. The truck, it has to be recomposed. Moving the truck and yourself to line-up a more contrasting background would be best. And the background needs some softening by making the depth of field narrower. Or else a dark-brick commercial building could get the right contrast to make the truck pop more. That is just how I would do things, and there are people more artistically-gifted than me who would have other ideas too.